In this pop-up showcase, the Serpent Rhythm Continuum will present antique ceramics from Burma (Myanmar) alongside related pieces from other Southeast Asian countries.

The ancient ceramics of Burma, with their generous shapes and distinctive soft colour tones, were primarily produced between the late 14th century and the end of the 16th century under the Toungoo dynasty. These pieces are characterised by a diverse range of styles, including celadon, inlays, and lead-glazed white and green wares, likely influenced by the Middle Eastern ceramic techniques.

Southeast Asian ceramics had been introduced to Japan as early as the end of the Kamakura period (14th century) and were highly valued in the tea ceremony under the term “Namban.” Among these, Sukhothai works were referred to as “Sunkoroku,” derived from the renowned site Sawankhalok, while Đại Việt (Northern Vietnam) works were known as “Annan”, highlighting their special status. However, interest in Burmese ceramics only began in the 1980s. Subsequent research revealed that heirloom tea jars, previously thought to be of Chinese origin, were likely made in Burma. Additionally, excavations at 16th-century sites in Kyushu have uncovered sherds, gradually shedding light on the presence of Burmese ceramics in Japan.

Nonetheless, due to ongoing conflicts and repeated military coups—tracing back to the colonial rule under the British and the Japanese occupation during World War II—Burmese ceramics remain under-researched, leaving many mysteries regarding their production sites and techniques. We hope this exhibition serves as an opportunity to draw interest to both the past and present of Burma.

Exhibition Period | February 7, 2025 (Fri) – March 9, 2025 (Sun) *End date subject to change.
Location | Ginza Tsutaya Books, BOOK Section (Map)
Time | 10:30 AM – 9:00 PM