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日本

17C

古唐津絵唐津一位ノ樹山窯鯰文茶碗
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"The scales, it is the absolute presence that stands against any relativization, i.e. culture, as artefacts are to live rather than to show off. I yearn for romanticism illumined by the inferior things, the non-art, the non-cultural, as it is only itself. Unless culture is the focal point of such a romanticism vector, what is a culture in the first place?"

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"Nothing" is awaken greedy inebriation.