A Buncheong ware teabowl fired in the early Joseon dynasty. It has a thin and sharply contoured shape with a small, sturdy foot. Its interior showcases bold brush-mark designs made with thick white slip, accompanied by spur marks visible in the well.

By the late 15th century, the establishment of Bunwon official kilns prompted local kilns to shift their focus from producing inlaid Buncheong ware for the royal court to creating pieces for the general populace. During this transition, decorative inlay gave way to simplified techniques such as brush-mark slip decoration, known as Gwiyal in Korea and Hakeme in Japan. This teabowl is an exceptional example of the technique, notable for its pronounced white slip, Kairagi glaze alteration on the foot, and rustic wheel marks. It appears to have been used at tea ceremonies for many years, and the deep luster on the interior is also an attractive feature.

While some glaze flaking occurred during or shortly after firing, it has remained stable over time. A hairline crack extending from the rim has been skilfully repaired with Kintsugi, and a kiln crack in the well is non-penetrative, ensuring no leakage. The teabowl is housed in a box inscribed “Hakeme Tea Bowl.”